Saturday, May 6, 2017

Haiku (From Seasons Of The Fleeting World) N.2 Comments

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thick fog -
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Fabrizio Frosini
COMMENTS
Unwritten Soul 01 January 2018

Thick fog cant hide the sound! Happy New Year FF....keep doing great and better this year!

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Fabrizio Frosini 06 January 2018

thank you, dear Soul, to you too. Best!

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Glen Kappy 26 December 2017

Cool! I like this one, Fabrizio. -Glen

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Fabrizio Frosini 29 December 2017

thanks so much, Glen! HAPPY NEW YEAR!

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Minnie Froh 15 November 2017

nice. and the cover of the book is beautiful too))

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Fabrizio Frosini 24 November 2017

so glad you like both: my haiku and the image I chose for the cover. Thank you, Minnie!

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Glen Kappy 30 July 2017

I like this one too. Economical as haiku should be. -GK

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Fabrizio Frosini 01 August 2017

thank you si much, Glen. Peace.

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Lapo Mannelli 05 July 2017

out of nowhere = even orientation is completely lost in the tick fog so short but with a great meaning.It's a 10

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Fabrizio Frosini 05 July 2017

you got the point :) thank you, Lapo

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Souren Mondal 13 June 2017

You know, this little haiku made me think two very different things - Firstly, I sort of felt that this is about a psychological condition - the fog symbolising some mental distress, followed by the call of a bell, a kind of a hopeful thought out of the depths of misery.... A person who has lost everything suddenly finds hope out of nowhere? And the second one, I believe a more literal one, is that this haiku is perhaps showing us the 'precise' moment when autumn ends and winter begins... I really love these haiku.. There's so much said in so little space. Thanks Fabrizio.

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Fabrizio Frosini 14 June 2017

indeed, haiku poetry require a synthesis of thought & images to paint scenes from nature, and to provide the readers with the minimal ingredients for their own meditation. Then, the 'magic' of haiku is also its ambiguity. It is commonly said that haiku poetry doesn't use metaphors - it is right when we think of 'open/plain' metaphors. On the contrary, Basho's haiku is higly metaphoric, although he used simple words, related to the aspects of Nature, and also references to ancient poetry/literature, historical events, places, temples, ... So you see: I like your comment very much, because it shows that you have got the double aspect of the image and symbolism 'painted' by my words. Of course, each and every reader would get his/her own 'image' and symbolism in mind, since it is up to the reader to interpret a haiku. But the important point is that, through the ''said/unsaid'' and juxtaposition between the 2 different images/concepts I've used, my haiku has reached its aim: to make use of 'ma' (awareness of time and space/creative imagination) and 'yugen' (depth and mystery) aesthetic principle, so that the reader can gain a deep intuitive understanding of the poem. As Daniel says: 'EXCELSIOR'! ;)

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Tom Billsborough 15 May 2017

It recalls for me the Matins bell in the Tirol. Great Haiku.

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Fabrizio Frosini 17 May 2017

I truly love Tirol! :)

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Fabrizio Frosini

Fabrizio Frosini

Tuscany, Italy
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