'Let us look as how they fling themselves from one pleasure to another: their password is variation. Do they desire something that is always the same? On the contrary, they want something that is never the same. In other words, they desire many different things, and he who wants in these circumstances is
not only innerly dispersed, but also divided.'
—Soren Kierkegaard, from Either/Or
*
After midnight, beneath bright florescence
I read Dante, his Inferno, of Hell's seven
rungs, my last quarter gone, and clothes,
two baskets, still to dry:
'At some false semblance in the twilight gloom
that from this terror you may free yourself'1
posthaste, gracelessly cast out, the closing
hour is soon come caught in spin cycle after
hard rinse, an entire bottle of fabric softener
cannot unstiffen these mythic threads,
the ancient weaves fray, displace, are
'undone, so many' beneath the winnowing
rotors that beat-beat with hope slosh-wash
wash-slosh slosh-wash all sins away.
Yet gathers the dirt.
There's more sin ahead
heady in floral scents.
The guide book sums:
'Level 2
You have come to a place mute of all light,
where the wind bellows as the sea does in a
tempest. This is the realm where the lustful
spend eternity. Here, sinners are blown around
endlessly by the unforgiving winds of unquenchable
desire as punishment for their transgressions.
The infernal hurricane that never rests hurtles
the spirits onward in its rapine, whirling them
round, and smiting, it molests them. You have
betrayed reason at the behest of your appetite
for pleasure, and so here you are doomed to remain.
Cleopatra and Helen of Troy
are two that share in your fate.'2
Not bad company
but no quarter to pay
for Virgil's rude company
here now, grizzled,
uncensored keeper of
the Nine Stories of Suds.
The lousy dryer tears
my shirts, cycles only
nine minutes as is the
seven rungs a quarter,
just one quarter more
one thinks, prays, hopes
seeks upon the filthy
dirty tiles beneath metal
folding chairs for just
one more to stay warm
enough before venturing
further, a slog through
Level Two with damp
laundry, a sleety night
in cold Manhattan,
a view of distant
bridges busy with light,
motion,
the spanned river,
dark, spins toward
the deeper East;
a Star there was
once a great matter,
one of the better
nights of the world
it is believed.
*
Closing hour.
Virgil tightly keeps
to schedule, lights
die a sudden death,
glass door solid
with blackness locked,
metal gate rattles
its chain, slams shut,
the sidewalk shakes,
half cigarette lit,
he bolts away
(perhaps knowing
the better route) .
I am plunged
without advantage
of guiding light
into darkness,
abject, lifting
wet clothes upon
my back cursing
all clothes, the need
of them, calling in
the empty street for
a break from woven
bondage, for return
to infantile nakedness
unspoiled but for
first shock of lumped
beingness spilling
into redundant mangers,
the maulings to come
not yet at the door
but foretold of old
in some night sky
of the world.
I haul forth then,
outspoken,
not unburdened
but called out,
but cast out,
shed needles on
walks' edge thin,
tree limbs naked
but for tinsel cling,
shades of a Bethlehem
Star stretched,
wrinkled, blowing
to gutter, sticking
to leaky old boot,
the heavy human round,
spin cycle,
night slowly unwound,
I descend,
pass time till dawn,
hung laundry. strung
out, dries over chairs,
towel racks in dim
basement room.
I turn another page, red handed.
To nether companions in Fate
I read another passage 'to keep
or return us on track, O Virgil,
in this long night where we wait
in flagrante.'
I have broken my back lifting
all these my loves to heaven.
*
1 from Canto 2
2 from Dante here:
4degreez.com/misc/dante-inferno-information.html
This poem has not been translated into any other language yet.
I would like to translate this poem