You cannot see the upper reaches of Everest  
from the base camp, where you acclimatize
with attitude and finger exercises.
In starting your embrace of the peak, 
You must move with an almost monotonous precision, 
perfecting each phrase, bend, hammer, and lift-off, 
owning each measure before moving  
across hours to Camp Two, 
then Camp Three, 
each section with its hurdles and mazes, 
your mind bobbing like a pigeon’s head 
searching for the path
After Camp Four 
and across the Hillary Step 
with the Kid’s summit in sight 
your fingers fluid and rippling, 
repeating impossible runs
until they can be sold as easy, 
you’re at once focused and disjointed 
as if watching yourself play in a film 
while you’re playing in the film, 
or maybe your brain 
is oxygen-deprived 
knowing you are so close, 
a single ascending line to go
And when you finally summit 
you pass through a golden turnstile 
and look down from rare air 
feeling a bond with the masters 
and all you can do to underscore the feat
is tenderly put the guitar down 
and lean your head way back on the couch 
until you are looking straight up
Note: Rolling Stone magazine called Larry Carlton’s “Kid Charlemagne” solo (from Steely Dan’s 'Royal Scam' album)   “one of the three greatest rock guitar solos ever.”                
masterful blending of these two endeavors. strong work. -Tailor
The twist in this one is superb. The comparison envious. I think this is the best I've read of you. But, then, I haven't gotten too far down the list, yet. I will, though, given time.
Cool poem. An interesting intermingling of two different, but lofty, goals. -chuck
I really went along with the steep ascent, even more so when the twist came: -) .
This poem has not been translated into any other language yet.
I would like to translate this poem
Very good. Did you mean 'attitude' or 'altitude'?