A thing is adapted to its fate. Not a hair's difference between it and what happens to it. No distinction. Not so us who have eyelids. No perfect equanimity in our stillness. My empty blue glass skull on the windowsill pities the oceans of commotion in my head. The way, when I ruminate, it's always as if I'm living out of a suitcase full of dead flowers. And now you come to me unasked with your platter of poetry, your feast for the dead, and even among spirits you enforce your evangelism about tobacco, and all I can see on the snow plains of your plate, is a few clear cut shrubs of parsley. What did Horace say, Terence, this is stupid stuff. Lettuce-soup. Holy water from the aquifer of the last blister you had a bad love affair with.
And I see you've gone and educated your indifference at a higher institution of learning. Did you get a nose bleed in the ivory tower? Did the capitalists poach it on the way to kill an elephant and saw through the tusks of the moon like a logging company? Did you gather around the death bed of distinguished shipwrecks and pluck the gold earrings from their lobes like heritage jewellery they wanted to be buried with? Was that a seance or an exorcism? More an exorcism I should think, because even the ghosts have been driven off by how antiseptic everything you write is. So many poets like that these days, they lay out their lines like scalpels, mirrors, mouthwash and toe-tags, all unwrapped from a Dead Sea Scroll of clean cotton, a page of twenty-pound number two book paper, as if they were about to perform an operation, but these surgeons can't stand the sight of blood, so nothing ever happens. No one ever gets cut, healed, mended, or pronounced dead. Or even a scar worth buying someone a drink for.
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