Phillis Levin is the author of four volumes of poetry, including May Day, which was published by Penguin in 2008 (pub date for this collection was April 29, 2008. Poet's other books of poems are Temples and Fields (University of Georgia Press, 1988), winner of the Norma Farber First Book Award; The Afterimage (Copper Beech Press, 1995); and Mercury (Penguin, 2001). I am the editor of The Penguin Book of the Sonnet: 500 Years of a Classic Tradition in English (Penguin Books, 2001). Poet's honors and awards include a Fulbright Fellowship to Slovenia, the Amy Lowell Poetry Travelling Scholarship, a 2003 Guggenheim Foundation Fellowship, and a 2007 Literature Fellowship from the National Endowment for the Arts. Philip Levin is a professor of English and poet-in-residence at Hofstra University and is a visiting professor in the graduate creative writing program at New York University.
Now that the worst is over, they predict
Something messy and difficult, though not
Life-threatening. Clearly we needed
...
Of something, separate, not
Whole; a role, something to play
While one is separate or parting;
...
To fish from a cloud in the sky
You must find a comfortable spot,
Spend a day looking down
Patiently, clear-sighted.
Peer at your ceiling:
Where a light dangles, hook & line
Could be slipping through.
Under the hull of a boat
A fish will see things this way,
Looking up while swimming by —
A wavering pole's refraction
Catching its eye.
What will you catch?
With what sort of bait?
Take care or you'll catch yourself,
A fish might say,
As inescapable skeins of shadow
Scatter a net
Over the face of the deep.
...
That the dead are real to us
Cannot be denied,
That the living are more real
When they are dead
Terrifies, that the dead can rise
As the living do is possible
Is possible to surmise,
But all the stars cannot come near
All we meet in an eye.
Flee from me, fear, as soot
Flies in a breeze, do not burn
Or settle in my sight,
I've tasted you long enough,
Let me savor
Something otherwise.
Who wakes beside me now
Suits my soul, so I turn to words
Only to say he changes
Into his robe, rustles a page,
He raises the lid of the piano
To release what's born in its cage.
If words come back
To say they compromise
Or swear again they have died,
There's no news in that, I reply,
But a music without notes
These notes comprise, still
As spring beneath us lies,
Already something otherwise.
...
There is another room
You could spend time in.
What a shame not to enter
More often: walls a color
Hard to imagine, windows
Overlooking a shy garden.
From there it is easy to see
A neighbor pinning laundry,
Composing a line of forlorn
Collars and sleeves
Punctuated by buttons
Catching the afternoon sun,
Whose face was a stranger
Until their mother-of-pearl
Was torn from a bed in a reef.
Whenever a chance to return
Returns, you wonder why
You didn't sit in that sofa,
Alone or near someone
In a chair, watching
A robin abandon
The swaying branches,
Listening to rain on the roof,
Undersong of comfort,
Undersong of grief.
A lifetime could be wasted
Dreaming there, a lifetime
Wasted not dreaming there.
...