Matthew Sweeney was born in Lifford, Ireland. He studied German and English at the Polytechnic of North London and the University of Freiburg in Germany. His poetry, which is often fable-like and humorous, shows the influence of Irish- and German-language literary traditions and writers, including Franz Kafka. He writes, as he noted in an interview with Lidia Vianu, “imagistic narrative” that “strays beyond realism” to a mode he calls “alternative realism.”
Sweeney’s collections of poetry include A Dream of Maps (1981), A Round House (1983), The Lame Waltzer (1985), Blue Shoes (1989), Cacti (1992), The Bridal Suite (1997), A Smell of Fish (2000), Selected Poems (2002), Black Moon (2007), The Night Post: A New Selection (2010), Horse Music (2013), and Inquisition Lane (2015). He has also written poetry for children: The Flying Spring Onion (1992) and Up on the Roof: New and Selected Poems (2001).
A recipient of the Cholmondeley Award and the Arts Council England Writers’ Award, Sweeney has held residencies at the University of East Anglia and South Bank Centre in London. He teaches workshops and classes in the community and has served as poet-in-residence at the National Library for the Blind (UK).
After the murder, I called a meeting
to see if we were happy. I declared
I was not — I said I liked the man
we shot. You all disagreed with this.
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Outside the igloo he waited
for an invitation to come inside.
There was no knocker, no doorbell.
He coughed, there was no reply.
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Was it Pascal who said "Almost all our misery has come from not being able to remain alone in our rooms"? Baudelaire thought it might have been, but was not sure. And let's take a look at that "almost" which I'm very glad is there. I can think of lots of misery that had nothing to
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"Bottle gatherer, what do you hope to gain from this gathering of the discards of other people's merrymaking, beyond the few cents you'll accrue?"
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