the ‘Inbox’ lights up with ‘Bethany’ and clarions like room service
from the distant past: ‘Ride the shock waves of changes,
full circles, and settling or shaken perspectives…’
the feverish reply launched into the echoing miles of ether
...
I went absent leaving you for Chicago
The hotel became a hospital
I signed my committal form at reception
...
To P.M.B.
1
The cut aches beneath eyelids of sky a glimpse of cherry red
...
Across at the pub some local Michaelangelo
Has muralised you in a suit on cloud nine
A sort of Sligo in Heaven
Executed with naive lumps of paint
...
George rules from his riverside bookshop
four storeys high along rue de la Bûcherie
Proudly claiming Walt Whitman as his ancestor—
Shelf after laden-shelf rising like wine racks in the city
...
He squats all gold
unpierced by nails—
head crowned by sunlight
no blood stains, no spear or vinegar
...
Professor-poet invited
the Mexican poet, the Indian poet and the Jamaican poet
to his house for dinner
greeting them with
...
I've lost you then or is it you've lost me
and once more on the newsfront what a mess
I did, you did go deep we both felt free
it's wiser not to damn but somehow bless
...
Pound praised you in a letter
‘promising' typed Ezra
Not in the cast of thousands
In those necropolyptic Cantos
...
The sky is a mere exhibition in pools of rain until the sun
unfolds the froth of clouds casting off cosmic oceans
of light and without horizon limitless, where there is silence
...
I give you two fingers in a definite V for victory
This art thrives on excellence: not wet-turf stack poetry
I could never dig with Seamus's sheep-shaped head
And between forefinger and thumb hold a laptop instead
...
The memorial sky: invasive clouds are too near and hyphenate
the irises like cat's eyes entranced: motorways are stairs and corridors
in scale, convoys of traffic are so much glass, metal and plastic
and in each a phantom ghostly driver plays out the sonata
...
"Was that life? Well, then, once again! " Thus Spoke Zarathustra IV 19
Picture a nineteenth century
cobbled street and a horse
...
You drive with a river on your left
through a valley and hills
to embrace another river on your right
...
Outside—
human sized trees
phantasmagoric figures
snowcapped
...
The error is to see you numerically:
6 legs,2 antennae and (retractable aerial)
the tongue long as a limb. Your folded
...
To Gary Snyder who asked: ‘Do the Irish walk around Ireland in their ancient ceremonies? '
Evening
I drop my knapsack on the floor
...
‘Monday Blue' half-price cocktails—
the cartoon-artist talks too little for this long night, and draws
Lenin's flat-cap, a gaunt Bolshevik with torn coat
...
Eckhart stares through the window
each tree distinct as one life, each universe…
and robed ones each embraced by beams of light
bearing seals of office in rows, pout and nod
...
Kevin Kiely., Poet, Novelist, Literary Critic., PhD (University College Dublin) in the Patronage of Poetry at Harvard's Woodberry Poetry Room; W. J. Fulbright Scholar Washington (DC) Visiting Professor in Poetry to US Universities. M. Phil., Trinity College (Dublin) ; Hon., Fellow in Writing, University of Iowa. wwwkevinkiely.net kevinkielypoet wiki Kevin Kiely was born in Warrenpoint, County Down, United Ireland. His commentaries on literature, the arts and culture appear in main stream media such as Village Magazine (Ireland) and other publications (listed below) . 'Poetry Publications' Plainchant for a Sundering (Lapwing, Belfast 2001) ; Breakfast with Sylvia Lagan, Belfast 2005/US Edition 2007/Third Edition 2015 Awarded the Patrick Kavanagh Fellowship in Poetry 2006; UCD Belfield Metaphysical: a retrospective (Lapwing Belfast 2017) ; UCD Belfield Metaphysical: New & Selected Poems (Areopagitica 2018) ; Cromwell Milton Collins Carson (Cyber Wit, India 2020) ; Endgames: Good Friday Agreement & Missus Windsor's Hitmen (Cyber Wit, India 2020) ; Yrland Regained: Central Cantos Vol I (Areopagitica 2021) ; Yrland Regained: Central Cantos Vol II (Areopagitica 2021) . 'Poems in Poetry Anthologies (Selection) ': poetry in Something Sensational To Read in the Train (anthology foreword: Brendan Kennelly) Lemon Soap Press, Dublin 2005 poetry in Catullus: One Man of Verona anthology ed. Ronan Sheehan Farmar & Farmar Ltd 2010 poetry in Ends & Beginnings anthology eds John Gery and William Pratt AMS Press Inc, New York 2011 poetry in Windows Anthology eds. Heather Brett and Noel Monahan Cavan CoCo 2012 poetry in In Place of Love and Country eds Richard Parker & John Gery Crater Press, London 2013 poetry in Liberty, Come Galloping! Salvation, Flower: Poets Worldwide Anthology ed. Kamran Mir Hazar, Kabul Press 2013. Poetry in Still Anthology Ed. Chelley McLear CAP, Belfast 2014 Where Two Rivers Meet Ed. Kevin Kiely Artskills NI 2015 West Side Stories Ed. Kevin Kiely Eden Place Arts Centre, Bogside Derry NI 2015 SALIGIA Anthology PICP, The Hague 2015 Cork Literary Review Anthology Ed. Kathy Darcy Bradshaw Books 2016 1916-2016: An Anthology of Reactions Eds. Dominic Taylor & John Liddy Limerick Writers' Centre 2016 Writers Room Anthology Ed. Kevin Kiely Eden Place Arts Centre, Bogside Derry NI 2017 Literature Today (Vol II) eds. Chaswal & Chaswal (Independent Press,2020) 'Recent poem(s) in Publications': The Edinburgh Review, Poetry Ireland Review, Adrift (New York) , Foolscap (London) , Oasis (London) , Acumen (UK) , Other Poetry (UK) , Cyphers, The Literary Review (New Jersey) , Chapman (Scotland) , Southword, Cork Literary Review, The Black Mountain Review, The Shop, Fortnight, Storm (Scotland) , Touchstone (UK) , Stony Thursday Book; Idaho Arts Quarterly; The Journal: Cumbria (UK) ; Decanto (UK) ; The Poetry Bus; The Sunday Independent, News Four, Revival Literary Journal, Red Poetry (Wales) , Irish American Post, The Minetta Review (New York) , Wild Violet Magazine, Pinched (London) , Underground Press, (New York) , SPRING: the journal of the ee cummings society, The Laughing Dog (US) , Crannóg, ANU/A New Ulster 38, New Poetry International, Café Review (USA) , Village: politics and culture, Pratik, JoLT (Journal of Literary Translation TCD) https: //issuu.com/trinityjolt10/docs/issuuu2; 'Public Poetry Readings': Various venues in US, England, Ireland, France, Spain, & Italy 'Biography' Francis Stuart: Artist and Outcast Liffey Press, Dublin 2007, Dufour, PA 2008 (Authorised Biography, Revised Edition Areopagitica Publishing SC (2017) ; Arts Council Immortals (Areopagitica 2019) . 'Literary Criticism' Harvard's Patron: Jack of all Poets (Areopagitica 2018) ; Seamus Heaney and the Great Poetry Hoax: a critical exposé of Faber & Faber's verse-man (Areopagitica 2018) ; I Shot the President's Verse: Selected Literary Journalism (Areopagitica 2020) . Hôtel Baudelaire: reservations and cancellations (Areopagitica 2021) ; The Principles of Poetry DI + ID = ? Psi (Spa Cottage Publishing,2024) ; ; The Candle of Vision A.E. (George William Russell) Introduction by Kevin Kiely (Spa Cottage Publishing,2022) ; The Irish Percy French Introduction by Kevin Kiely (Spa Cottage Publishing,2022) ; Secret Lives: Selected Poems and Prose of Susan Langstaff Mitchell Introduction by Kevin Kiely (Spa Cottage Publishing,2022) ; The Selected Poems of Jane Elgee-Wilde Introduction by Kevin Kiely (Spa Cottage Publishing,2022) ; The Principles of Poetry DI + ID = ? Psi by Dr Kevin Kiely (Spa Cottage Publishing,2024) ; Stratford-upon-Shakespeare and other Lies (Spa Cottage Publishing,2024) . 'Reviews/Essays/Articles in the following publications': The Wallace Stevens Journal, The Robert Frost Review, The Journal of the E. E. Cummings Society, Hibernia, Irish Examiner, The Democrat Arts Page, Irish Studies Review, Honest Ulsterman, Fortnight, Books Ireland Critic 1996-onwards, The London Magazine, The Irish Book Review, Poetry Ireland Review, Irish Times, The Irish Independent, Irish Arts Review, Inis, Irish Literary Review, Idaho Arts Quarterly, Humanities: Library of Congress Journal (DC) , History Ireland, Village Magazine. 'Controversial Essays on Poetry, Literature, History and Culture': "Sandrine Brisset's Brendan Kennelly: Behind the Smile" Dec.2013-Jan.2014 (56-7) ; "Aos Dána: where self-selection meets self-praise, in a faux Gaelic, Haugheyesque arts beano" Feb-Mar 2014 (70-2) ; "Séamus Heaney: going through the poetic motions" Jun-July 2014 (54-57) ; "Enduring Irish Sculpture" Aug-Sept 2014 (48-50) ; The IT Gang: a smug fraternity November 2014 (46-48) ; Irish Independent: Review ‘Digging for the real worth of Seamus Heaney' Nov 8 2014. "Our top heavy Arts Council" Feb 2015 (54-56) ; "Why are the critics not weeping? " April 2015 (54-55) . https: //villagemagazine.ie/the-call-of-the-wildes/ 2023. Exploring what Ezra Pound called his daughter's ‘Hogswill' - Village Magazine 2024)
House Of Figs
the ‘Inbox’ lights up with ‘Bethany’ and clarions like room service
from the distant past: ‘Ride the shock waves of changes,
full circles, and settling or shaken perspectives…’
the feverish reply launched into the echoing miles of ether
towards Washington in the Pacific North West:
‘how bleak the backlit Plutonian shores of Sligo...’
I am conflicted between images of you: one is the female
crucified Jesus. Sunday school revolt, ideational acting out
of the repeated headline: ‘Eloi, Eloi, Lama Sabachthani’
a saddle of calligraphy on each thigh from the ink-jetting pen
anoint these sheets with the mask of your face
strut those ghostly blue outline tattoos of Kentucky:
the speeding boxcar, the saltshaker amidst healed scars
and burns, while civilized life inscribed in law
demands life be lived: ‘Eloi, Eloi, Lama Sabachthani’—
what kind of lawful life produced
a phrenology on your Lempicka thighs
in the white room that grew goose-flesh walls
the cuts around kneecaps released the flowing
lifelines of wine down your sloping limbs
and through you, a lover can enter the house of figs
the hazel eyes of the sphinx burn with fiery gems
one eye for sunrise, the other sunset
from where does our hope, our joy, our ecstasy come—
from our tragedy, is your answer. Yet, your post-romantic
‘goodbye until.’ Turning into the alley with a wilting hand
‘some things last a long time.’ The moon shines stark
from a broken cloud illuminating the goddess and
her incense cigarette. ‘Some things last forever.’
I shall rise from the dead by your anointing
I shall not need to ask of this world in this world:
shall any woman forgive our desertion? shall any woman
forgive herself for falling in love with a man?
and the leaves of the fig tree
shroud their fruit in the gale, beyond tragedy
When I read your poems and lay them side by side with Michael D's poem's I note one thing in common, both strive to be part of a pretence to be of the ordinary people.