Julio Herrera y Reissig, (January 9, 1875 - March 18, 1910) was a Uruguayan poet who began his career during the late Romanticist period and later became an early proponent of Modernism.
He was the son of Dr. Manuel Herrera y Obes and nephew of government minister Dr. Julio Herrera y Obes, who would go on to become president of Uruguay. Julio Herrera y Reissig was born in Montevideo into a wealthy patrician family with connections to the social and cultural scene.
Health and travel
His only material limitation was his precarious health. In 1892, at age seventeen, a congenital heart defect, aggravated by typhoid fever, forced him to abandon his studies. Nor was he able to travel any great distance, and apart from a visit to Buenos Aires, he remained confined to Montevideo and the Uruguayan interior, including Castillo Piriá, near Piriápolis, where a plaque was unveiled in 1957 commemorating his residence there.
Writings
He relieved his boredom by becoming an avid reader, and beginning in 1900, he began holding literary gatherings at his family mansion, in the penthouse nicknamed La Torre de los Panoramas for its spectacular views of the Río de la Plata.
There, he underwent a transformation from Romanticist to avant-garde Modernist and Surrealist, earning himself posthumous recognition as a major figure in the development of 20th century Latin American poetry, alongside Leopoldo Lugones, Ricardo Jaimes Freyre, and Salvador Diaz Mirón.
Death
He died in Montevideo at the age of 35, a few years before the publication of his works drew widespread praise from the literary community. The Uruguayan writer Ángel Rama marvelled at his achievement:
In just under ten years, despite wandering in the deafening and superficial bazaar of art nouveau, he created a poetry of subtle, modern sensibility, of impeccable linguistic precision.
Con la pompa de brahmánicas unciones,
abrióse el lecho de sus primaveras,
ante un lúbrico rito de panteras,
y una erección de símbolos varones...
...
Gemían los rebaños. Los caminos
llenábanse de lúgubres cortejos;
una congoja de holocaustos viejos
ahogaba los silencios campesinos.
...
La tarde paga en oro divino las faenas...
Se ven limpias mujeres vestidas de percales,
trenzando su cabellos con tilos y azucenas
...
Con su veste en color de serpentina,
reía la voluble Primavera...
Un billón de luciérnagas de fina
esmeralda, rayaba la pradera.
...
¡Oh negra flor de Idealismo!
¡Oh hiena de diplomacia
con bilis de aristocracia
y lepra azul de idealismo!...
...