Floodlights have flared on behind and above
              Where I sit in my public chair.
The lawn that had gradually darkened has brightened.
        
...
    
        1. DELIRIUM, AFTER RIMBAUD
How many hours I kept
that vigil by your side—
        
...
    
        It was so simple: you came back to me 
And I was happy. Nothing seemed to matter 
But that. That you had gone away from me 
And lived for days with him—it didn't matter.
        
...
    
        By the time I recalled that it is also 
terrifying, we had gone too far into 
the charmed woods to return. It was then
        
...
    
        Let's get this straight: Charles Graner   
is not America. America would never   
hold a knife to his wife's throat, then say 
when she woke that he was considering
        
...
    
        We knew the rules and punishments: 
three lashes for lack of diligence, 
eight for disobeying mother
        
...
    
        The four am cries 
of my son worm 
through the double 
foam of earplugs
        
...
    
        The screamer sleeps, inside. 
The desert's wide awake: 
the mouse, the rattlesnake. 
I've come out here to hide,
        
...
    
        For Allison Hogge, in memory of Brian Wilkie
I was a math major—fond of all things rational. 
It was the first day of my first poetry class.
        
...
    
        Often the slightest gesture is most telling,
As when he reaches tenderly in passing 
To pluck the yellow leaf from the dark fall
        
...
    
Geoffrey Brock (born 1964) is an American poet and translator. He received a Masters in Fine Arts from the University of Florida in 1998. He also holds a PhD in Comparative Literature from the University of Pennsylvania. His poems have been published in Poetry Magazine, Paris Review, PN Review, New England Review, The Hudson Review, and The Best American Poetry 2007. He teaches poetry and translation in the graduate creative writing program at the University of Arkansas. Brock is married to the writer Padma Viswanathan and they have two children. His translations have received a number of prizes and fellowships, including the Academy of American Poets' Raiziss/de Palchi Fellowship and a Guggenheim Fellowship. He received a poetry fellowship from the National Endowment for the Arts and a Stegner Fellowship from Stanford University.)
                    Bryant Park at Dusk
                    
                    Floodlights have flared on behind and above
              Where I sit in my public chair.
The lawn that had gradually darkened has brightened.
              The library windows stare.
I'm alone in a crowd—e pluribus plures.
              Far from a family I miss.
I'd almost say I'm lonely, but lonely
              Is worse, I recall, than this.
Loneliness is a genuine poverty.
              I'm like a man who is flush
But forgot his wallet on the nightstand
              When he left for work in a rush,
And now must go without food and coffee
              For a few hours more than he'd wish.
That's all. He still has a wallet. It's bulging.
              It floats through his brain like a fish...
Money for love: a terrible simile,
              But maybe it's fitting here,
A couple of blocks from Madison Avenue
              Where commodities are dear,
Where all around me, rich skyscrapers
              Woo the impoverished sky,
Having sent on their way the spent commuters
              Who stream, uncertain, by—
And as for this whole splurge of a city,
              Isn't money at its heart?
But I'm blathering now. Forgetting my subject.
              What I meant to say at the start
Is that I noticed a woman reading
              In a chair not far from mine.
Silver-haired, calm, she stirred a hunger
              Hard for me to define,
Perhaps because she doesn't seem lonely.
              And what I loved was this:
The way, when dusk had darkened her pages,
              As if expecting a kiss,
She closed her eyes and threw her head back,
              Book open on her lap.
Perhaps she was thinking about her story,
              Or the fall air, or a nap.
I thought she'd leave me then for pastimes
              More suited to the dark.
But she is on intimate terms, it seems,
              With the rhythms of Bryant Park,
For that's when the floodlights came on, slowly,
              Somewhere far above my need,
And the grass grew green again, and the woman
              Reopened her eyes to read.